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All of that changes when she befriends a wizard named Howl (Takuya Kimura/Christian Bale) who lives in a magical flying castle. Sophie (Chieko Baisho/Emily Mortimer/Jean Simmons) is a teenage girl living an uneventful life at her late father’s hat shop. Although the filmmaker’s adaptation remains unfaithful to the source material, Miyazaki brings his own sense of magic to the story… crafting a surrealistic fairy tale that represents anime at its finest. While it’s not as awe-inspiring as Spirited Away, or action-packed as Princess Mononoke (1997), it works on a similar level to Kiki’s Delivery Service (1989). Although it remains one of Studio Ghibli’s most polarising features, it grossed over $260M worldwide. Released in 2004, Howl’s Moving Castle is based on the novel by English writer Diana Wynne Jones. Miyazaki’s work eluded western recognition until Spirited Away (2001) won the 2003 Academy Award for ‘Best Animated Feature’. From Castle in the Sky (1986) to My Neighbour Totoro (1988), Studio Ghibli resonates with audiences of all ages. Synonymous for its mesmerising animation and endearing storytelling, Studio Ghibli has produced some of the most successful animations to date. In 1985, Hayao Miyazaki and long-time collaborator Isao Takahata ( Grave of the Fire Flies), founded a company that changed animation forever. Sophie's wisdom is a function of her kindness, but her unbidden transformation is also unnerving.If you’re familiar with the anime studio often cited as the “The Walt Disney of Japan”, then you know that many of its beautifully animated features have received critical acclaim. Sophie helps to sort out his bad behavior, in part by forgiving and looking after everyone, including the conniving Witch of the Waste. While keeping track of who's cursed whom and who is disguised as what can be confusing, Howl's Moving Castle - based on a book by Diana Wynne Jones - pits two major forces against one another: the war-making king, aided by royal sorceress Madame Suliman ( Blythe Danner), and the well-meaning but childishly petulant Howl. These jittery-edged images conjure lovely rhythms and children's perspectives (lots of low angles and dreamlike movements), while also investigating, carefully rather than loudly and aggressively, what worries kids: Why do adults fight and go to war? How is love scary as well as thrilling and encouraging? The film's answers are complicated and incomplete, but more importantly, its questions are provocative. Japanese director Hayao Miyazaki's animation style is famously delicate and inventive (see also Spirited Away, 1999's Princess Mononoke, and 1984's Nausicaa of the Valley of the Wind). Which Side of History? How Technology Is Reshaping Democracy and Our Lives.
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